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Ken Burns at 2004 Full Frame Film Fest, photo by Renee Wright
Filmmaker Ken Burns gives
the 2004 Full Frame
Documentary Film
Festival
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Divining Mom

at the Full Frame Film Fest 2003

reviewed by Allan Maurer

People who believe in dowsing for water and those who think it's foolishness say the documentary "Divining Mom" proves their point.

That's a testament to the balance George Kachadorian brought to the project.

His parents, who star in the film, sit on opposite points of this particular compass.

His mother, Lea, a practicing water witch, or dowser, uses her forked divining rods to find wells for her Vermont neighbors. His father, Jim, a civil engineer, looks askance at the practice, taking a scientific and materialist view.

The documentary, which I saw at the Durham Full Frame Documentary Film Festival in April 2003, gives each side a balanced presentation, Kachadorian told CarolinasBest, "because I couldn't take one side or the other without getting in trouble with one parent or the other."

Kachadorian's wife and co-producer Courtney Bent suggested making this conflict the subject of a film. George says in an interview with the Vermont Standard that after many false starts, he finally realized, "What's most interesting is to watch both sides of the debate interact in the marriage. You can't take any debate out of the human context."

While viewers must reach their own conclusions after watching "Divining Mom," the film gives each point of view full expression. The filmmakers talk with a handful of the estimated 20,000 dowsers who practice in the United States and follow Lea on a job as she dowses for a well. The results offer a bit of suspense that is not resolved until the film's final moments.

A Hunger for Reality

"Divining Mom" was one of several very personal films at the Durham Full Frame festival suggesting that nonfiction films will soon rival Hollywood's entertainment fare in sophistication.

Even though this is Kachadorian's first feature, it is a thoroughly professional effort. It certainly entertained me as much as most recent Hollywood products.

I confess, too, that having spent much of my life caught in this same intellectual merry-go-round of scientific materialism vs. magic, religion and the occult, this film spoke rather directly to me emotionally. Even though Kachadorian's father expresses my point of view in this film, often to consternation visible in his mother's expressive face, neither of us feel entirely comfortable with the idea that science has all the answers.

The real power of the film is in the scenes — uncomfortable when they thrust you into someone else's family drama — showing his parents arguing their respective points of view. Video that looks like film (stop down to get rid of video glare, advises Kachadorian) brings a new intimacy and realism to the documentary.

People are hungry for realistic entertainment, as the popularity of so-called reality programming on TV demonstrates.

Films such as "Divining Mom" show up TV's reality shows for the contrived and artificial nonsense they are.

Following the documentary screening at the Full Frame Festival, I spoke to both Kachadorian's parents. I mentioned the one bit of scientific evidence cited in favor of dowsing in the film, that some people seem able to sense buried water flow through a sense similar to that magnetic sixth sense that guides migrating birds and probably other animals.

Jim, who makes no secret in the film of his disdain for his wife's dowsing, said, "I like to do crossword puzzles. I'll sit down and do everything I can and leave the rest unfinished. I'll go do something else without consciously thinking about it and come back later and I can finish it. What's that about?"

Personally, I know we have physical senses we seldom pay much attention to. Years ago I practiced a type of stage magic called mentalism. One trick is called "contact mind-reading," in which I take the wrist of a volunteer and have them lead me to a hidden object by thinking directions. It works, much as a lead does in dancing, only more subtle. Every thought has a muscular reaction you can read if you tune to it. That's how Ginger Rogers followed Fred Astaire upside down and backwards...and how Kreskin the mentalist did one of his most impressive tricks.

My moment of agreement

Were I to pick a moment in "Divining Mom" that most expresses my point of view, it is when James "The Amazing" Randi, a McArthur Fellow, practicing magician, and member of the highly respected committee to investigate the paranormal says, "There is nothing there."

I met Randi years ago in a magic shoppe in New York City once owned by Harry Houdini himself, the first occult demystifier. He firmly believes people who claim to practice real magic of any sort are conscious frauds or self-deluded.

Randi and scientists tested a large group of volunteer dowsers who failed to do better than chance in finding water running through buried hoses.

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"Divining Mom"

On the other hand, Kachadorian takes his camera 2,000 miles over a six year period talking to dowsers, engineers, physicists, skeptics and believers. The dowsers include a scientifically educated geologist and a retired military man.

The dowsers do show considerable success in finding deep flowing water.

To that, Randi says, "Find me a dry spot," because, as he points out, it's almost impossible not to strike water if you drill deep enough.

This film certainly drills deep enough into the debate to give someone on either side plenty of ammo for arguments. At another point in the film, a scientist says "Skepticism isn't natural." How he got to be any sort of legitimate scientist saying a thing like that baffles me.

But on the other hand, when those who practice it accept results that are only approximate as evidence dowsing works, one wonders if they would be willing to accept such approximations in the products they buy: about a quart of milk, give or take a pint?

How did they get my cat?
Allan's cat Bobby Lee

What I really want to know is how they got my cat, Bobby Lee, to appear in the film without telling me and how much is he getting paid?

Actually, it's Lea's cat, which she cradles in several scenes, but she laughed when I asked her the question after the show.

One shot in the film shows Lea and Jim, young and on skis; she is movie-star beautiful. Decades later, the twinkle in her eyes is undimmed and her personality captures your attention and holds it.

I'd like to believe she's got magic in her hands.

This film documents a long-running debate between her and Jim, but their love for each other has obviously allowed them to decide they don't have to agree on everything.

Kachadorian says that Ross McElwee inspired him with his first quirky, witty autobiographical filmed essay, "Sherman's March." His own film does not shirk from touching emotionally charged issues such as the tragic death of his younger brother, or his own difficulties in living with the dichotomy between his parents.

Yet laugh-out-loud humor frequently punctuates the drama, very much as in McElwee's films. To some extent their long-running debate, which led Jim to buy Lea her own phone so he wouldn't have to deal with her dowsing clients, reflects my own long-running debates with mystics, all too often women.

Is there something to the archetypal idea of women being more connected to the earth? Are they more attuned to the spiritual and less convinced by the material?

Personally, my preference in deciding whether phenomena are real or not is to test them scientifically, to seek results one can replicate exactly every time.

But on the other hand, as a science writer, I know we don't even know what the dark energy and dark matter making up 98 percent of the universe are. So I'm uncomfortable ruling out the possibility that we retain some inner sense that helps us find water.

What's that about?

As for Lea's son, George, I asked him if it bothered him to have a mother who is a water witch.

"Not when she's dowsing for water so much," he said. "But when she dowsed for the best melons in the supermarket…" He rolled his eyes until the whites showed.

Kachadorian did commercial video work to support himself while he worked on "Divining Mom." That may account for the professional feel of the film's editing and camerawork.

"Shoot everything stopped down to avoid video glare," he advises film makers.

In an interview with NewEnglandfilm.com, Kachadorian says, "Dowsing is one of the few places where the spiritual rubber hits the road. A lot of people make claims about prayer and God or how much the intention of the mind can influence the external world, but dowsing is a place where they have to actually prove it — on every job."

Kachadorian certainly proves he's up to the job of refereeing this debate in "Divining Mom."

Visit the Divining Mom website.
To read more of Allan Maurer's reviews of the 2003 Full Frame Documentary Festival, click here.

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