Full Frame
Documentary Fest
by Allan Maurer
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This year's
themes included political documentaries, southern politicians, hybrid
mixes of fact and fiction, and a number of World Premieres, including
the upcoming HBO documentary on Elaine Stritch's Tony-winning Broadway
show, Elaine Stritch at Liberty.
Other high points
were Ken Burn's work-in-progress, Unforgiveable Blackness:
The Rise and Fall of Jack Johnson, a biography of the first
black world heavyweight boxing champion, and the much anticipated
Super Size Me, Morgan Spurlock's doc about eating
only at McDonald's for a month and the dire results that had on
his body.
Unplanned sub-themes
often emerge from Full Frame's selection of films in competition
as well as those it slots into special programming. This year, Burn's
first two parts of the Johnson biography and a cut of The
Fight, the upcoming American Experience film about the Joe
Louis vs. Max Schmelling fights, did so.
Both films illustrate
how heavyweight championship bouts between black and white fighters
in the first half of the 20th century twice became contests symbolic
of much larger issues. Johnson's success mocked white racism and
inspired a fruitless search for a "Great White Hope," while Louis
became a symbol of democracy vs. the Nazis in his two battles against
Max Schmelling.
If you threw
in any of the documentaries about Muhammad Ali, it would
highlight the remarkable way America and the world invested boxing
matches with enormous political and social significance in the 20th
century.
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